24 April 2012

Help Save the Hannah Carter Japanese Garden





One of the finest examples of a Japanese garden in North America is under threat in California.  The Hannah Carter Japanese Garden  was designed by Nagao Sakurai in collaboration with Kyoto garden designer Kazuo Nakamura in 1959 and constructed between 1959 and 1961.  Nagao Sakurai is considered one of the top Japanese landscape designers of the twentieth century and designed several notable gardens in the United States including the Japanese Tea Garden in Central Park in San Mateo, the Zen Garden in the Japanese Tea Garden of Golden Gate Park (San Francisco), the Japanese Rock Garden in Micke Grove Regional Park (Lodi, CA) and the Nishinomiya Japanese Garden (Manito Park in Spokane, WA).

The Hannah Carter Japanese Garden was modelled on the gardens of Kyoto and is a considered a rare place of natural beauty and quiet retreat in the Los Angeles community of Bel-Air.  It is named after the wife of Edward Carter, who donated it to the University of California in 1964.  Through a series of agreements, UCLA accepted the donation and agreed to keep and maintain the garden in perpetuity.  UCLA went back on its word in 2010 when it secured a court decision to allow them to remove the “in perpetuity” requirement

In November 2011, UCLA announced plans to sell the garden, citing rising maintenance costs, deferred maintenance, and the lack of attendance due to limited parking.  Funds from the sale of the garden would be used to support UCLA's academic programs.   The university listed both the house and garden for sale in early March 2012, after removing several valuable art objects that are integral to the design of the garden earlier this year.  There are no protective covenants or requirements calling for the garden to be maintained or preserved.  As a public institution, UCLA is required to accept the highest bid in the sale.

UCLA’s decision to sell this important piece of cultural heritage garden seems to me to be disrespectful to the family of Hannah Carter and insensitive to the historical, cultural, and environmental value of the garden.  It is very short-sighted of UCLA not to have considered reaching out to garden, conservation, and Japanese studies organizations to look at possible partnerships for maintaining this unique piece of cultural heritage for future generations.    Learn more about the garden and its history on The Garden Conservancy website.

According to the Terra Luma Design website, the garden features a stone carved over a thousand years ago with the Buuddha seated in 16 different positions of worship.  They also include a dead link to the garden’s UCLA webpage and quote the Garden Guide as describing the garden’s cultural significance thusly:

The complex aesthetic values of traditional Japanese gardens stem mainly from Zen Buddhism.  Among Zen concepts expressed in garden design are asymmetry and a preference for the imperfect and for odd numbers;  naturalness and an avoidance of the forced and artificial; hiding part of the whole to achieve profundity with mystery; a quality of maturity and mellowness that comes with age and time; tranquility, simplicity, and austerity.

You can show your support for by signing the petition and forwarding it to others who are interested in saving this cultural landmark.  The Coalition to Save the Hannah Carter Japanese Garden is also urging people to write individual letters to each of the UC Regents by May 4thClick here to learn more.  

22 April 2012

Image Forum Festival 2012




This year marks the 26th edition of the Image Forum Festival (April 29 - May 6, 2012) – the annual celebration of experimental film and video in Tokyo.  The line-up is diverse and features 35 programmes for a total of 206 works including short films, feature length films and installations.  I will just mention a couple of the events that I would go and see if I could. 

The animated short programme is as strong as ever.  Programme A is called JAPAN ANIMATION PANORAMA and features works by Nobuhiro Aihara, who passed away last spring, as well as Atsushi Wada’s Silver Bear winning film The Great Rabbit.  I am most excited to see that there's a a new work from one of my favourite women animators Mika Seike!  The full line up for Programme A is:

Longing for Venus (金星の夢) by Mitsuo TOYAMA (2011)       
Michiyuki Onsen-hen (みちゆき温泉編) by Ryo TANIGUCHI (2011)
GIGI-GAGA by Nobuhiro AIHARA (2011)        
SKY by Nobuhiro AIHARA (2011)            
Red colored bridge by Keiichi TANAAMI (2012)               
Moth Pattern (蛾鑑) by Mika SEIKE by (2012)
gala gala by Yoshihisa NAKANISHI (2012)         
Akerata asobi, Wasureru manako (開かれた遊び、忘れる眼) by ALIMO (2012)
Hito no Shima (人の島) by ALIMO (2011)
The Great Rabbit (グレートラビット) by Atsushi WADA (2012)
MODERN No.2 by Mirai MIZUE (2011) 
AND AND by Mirai MIZUE (2011)           

In addition, Isamu Hirabayashi’s Noburo Ofuji Award-winning animated short 63114 (read review) is playing in programme G which is a screening dedicated films that are responses to the devastating earthquake, tsunami, and ensuing nuclear disaster of March 11, 2011.  

Programme J has an intriguing line up of shorts from Europe:

On the Water’s Edge by Tommaso de Sanctis (England, 2010)
Sleep by Claudius Gentinetta + Frank Braun (Switzerland, 2010)
Spoken Film 1 by Wojciech Bąkowski (Poland, 2007)
Journey to Cape Verde by José Miguel Ribeiro (Portugal, 2010)
544/544 (up/down) by Thomas Mohr (Netherlands, 2011)
ich fahre mit dem fahrrad in einer halben stunde an den rand der atmosphäre
(i go with my bicycle within half an hour on the edge of the atmosphere)
by Michel Klöfkorn (Germany, 2011)
The Eagleman Stag by Michael Please (England, 2010)

Thomas Mohr’s film, which interprets The Requiem of Hanne Darboven, can be viewed on Vimeo.

Programme K features a selection of recent films by Chinese animators and experimentalists – I am afraid I don’t have time this week to figure out all the names and titles in English but here is the screening list for those who can read Japanese:

影夢人生 ツァオ・フェイ / 中国 / ビデオ /10  /2011
穀物配給切符 チェン・シー + アン・シュン / 中国 / ビデオ /19  /2011
兎通り フォン・ウェイ / 中国 / ビデオ /8  /2007
蕨採り ジァオ・イェ + ホアン・ヤン / 中国 / ビデオ /9  /2003
水滴 ホアン・ヤン / 中国 / ビデオ /3  /2005
私の、私の レイ・レイ / 中国 / ビデオ /5  /2011
ダブル・フィクレット ワン・ハイヤン / 中国 / ビデオ /4  /2012
あなたに会えたら リュウ・ジャーミン / 中国 / ビデオ /6  /2010
唖 ルオ・ハイミン / 中国 / ビデオ /5  /2008
臼 スン・ハン / 中国 / ビデオ /3  /2007
鼓動 シー・レイ / 中国 / ビデオ /8  /2011
若者と地球の神秘 ワン・ウェイスー / 中国 / ビデオ /8  /2011 

To learn more, check out the full Image Forum Festival programme (JP only).  


21 April 2012

Ichi-gwankoku: The One-Eyed Country (一眼国, 2009)


Children watch the freak show.

The animator Ryo Hirano has a love of the grotesque and the absurd, from the yōkai manga of Shigeru Mizuki to the independent animation of Igor Kovalyov (see his interview with Public Image)  Hirano’s animated short Ichi-gwankoku (The One-Eyed Country, 2009) was inspired by the rakugo story of the same name Ichigankoku (一眼国 --- Hirano just chose a different Romanization method for the title). 

Rakugo (落語) is a traditional art of comic storytelling which dates back many centuries.  Many of the classic rakugo tales contain elements of the grotesque.  One well known example to fans of indie animation is Atama Yama (Mt. Head), which Kōji Yamamura adapted in 2002 and tells the tale of a stingy man who has a cherry tree grow out of his head. In the popular story Ichigankoku, the owner of a freak show hears from a travelling priest about the existence of a country of one-eyed people.  He sets out immediately for this land in the hope of capturing a one-eyed child to bring back and use in his show.  However, the tables are turned against him when he comes to the land of one-eyed people, for he himself is captured because he has two-eyeds and is caged and put on display as a freak himself.

Hirano captures the absurdity of the story right from the get-go with a one-eyed chicken who is almost run over by the freak show vehicle and the stampede of children that follow in its wake.  The caged two-eyed man is humiliated even further in his cage because he is naked and shivering.  Not only do the one-eyed children stare at the man in shock, but they also cruelly throw things at him and laugh at his plight.  In a further act of violence, the freak show owner whips the naked man

Collage of drawn and photographic elements
In contrast to this dark, violent scene, a priest and a caged tanuki are sleeping at a roadside shrine.  The tanuki –creatures famed for their powers of transformation – delightedly captures a falling ginkgo leaf and uses his magic to escape from the cage.  From his covered cage, the two-eyed man peaks through a crack in the curtain to observe the one-eyed world around him and spots the tanuki walking by with a leaf on his forehead.   

The man’s view abruptly comes to an end when he is further abused by passersby.  He is knocked unconscious by a can to the head and has a vision of a terrifying giant three-eyed creature.  He runs from this giant but is easily captured and the giant pulls one of his eyes out of its socket.  When the man awakes, he discovers that he now has only one eye.  His eye, with an odd tail wiggling like a fish out of water, stares at him from the other side of his cage.  He tries to capture the eye, but it escapes.  He looks out the window and sees the tanuki with the gingko leaf has captured his wayward eye on stick and is licking it like a lollypop.  The poor naked man sits in disbelief at his fate, scratching his head.

A mix of European and Japanese cultural influences - but they somehow seem to fit this strange land.

If it weren’t for the Japanese elements to this story (tanuki, the Jizō bodhisattva statues, etc.), I might have thought it was by an Eastern European animator because of the look and feel of the piece.  What really makes Hirano’s work stand out from other young animators is his fearless use of collage and mixed media.  Photographic images are layered with drawn images in unexpected and interesting ways. 

Whereas the original rakugo story is amusing because of the irony of the fate of the freak show owner, Hirano shows a different side to the story that shows the value of the story to modern audiences.  We as an audience can scratch our own heads along with the old man and wonder if it is better to be one-eyed and fit in with the others or to remain oneself in the face of violence and cruelty. 


Catherine Munroe Hotes 2012

Watch the film for yourself on Hirano's official Youtube channel.

Learn more about Ryo Hirano on his official website.

Filmography

2007  udara udara (うだらうだら)
2008  Future Man (蟻人間物語/Ari Ningen Monogatari)
2008  Midnight Zoo (深夜動物園/Shinya Dōbutsuen)
2009  music video orchestra (collaborative work for Omodaka)
2009  The Kappa’s Arms (河童の腕/Kappa no Ude)
2009  Ichigwankoku / One-Eyed Country (一眼国/Ichigankoku)
2009  Guitar (ギター)
2010  Kensaku Shōnen (検索少年, Tabito Nanao music video)
2011  Hietsuki Bushi (ひえつき節/Omodaka music video)
2011  Space Shower TV Station ID
2011  Holiday (ホリデイ)





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